We can talk about Manchester! I like coming here, it’s a wicked city. It’s my second favourite city in England after London. I like Liverpool too but there’s a lot more to do in Manchester.

There ain’t no good guys, there ain’t no bad guys, there’s only you and me, and we just disagree.

The major thing that made us do it was thinking forward. It's a necessary responsibility to put together a will.

He's always working hard out there. His splits were very good. His style and the way he runs it makes him look like he doesn't run as hard. But he works hard out there.

I really hadn't written anything for nearly 15 years, ... I've been pretty much living alone, and I can take an entire house and make music in it and not bother anybody.

If the record company won't let you put a record out, then you've nothing to promote, and they're not going to help you out with the tour budget if you've nothing to promote. So basically we were kind of trapped. And all the songs we would have written would have been owned by Mercury until they released us. So what do you do? It's kind of like a prison sentence. You are at their beck and call a little.

I never keep them when I make them, so I make a habit of not making them. Once you make them, they're so hard to keep. . . . I used to smoke and used to say, 'OK, that's it,' but 10 minutes later, you're lighting a cigarette.

At this stage of the game, we don't know what the process will look like, how to determine medical necessity, or what doctors, or patients or physical therapists will have to do. And there's no guarantee of anything, because there's no appeals process.

It was just a friend and his brother that I work with, they had some design concepts for a guitar about six years ago just as a project really, it started as that. And it developed from there,

They have to be heard. It is a little hard to talk about music. They're just good songs. It's something you need to hear. It's like trying to describe a painting.